Inmarsat – Deployment of Global Xpress

Our first journey into 360 video animations, DuckEye creative directed and animated this film for Visualise, teaming up with Once Were Farmers to render the final project with Arnold.

  • soy-factory
  • oyster_hey
  • solar_panels

Lee Kum Kee

As part of their increased global distribution we created an animation which was part of a competition to name the soy bean and oyster characters.

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  • gastronorm
  • go-big
  • question_mark
  • trolly
  • trays

Cra’ster – Flow Range animation

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We created an animation of all the components of the hotel and restaurant modular furniture range from Cra’ster. The film illustrates how the small, simple and elegant pieces can be combined together to create large display stands which are easy to install and replenish.

Baileys – Here’s To Us

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We created Three highly shareable Instagram friendly Baileys cocktails recipes inspired by a different fashion influencer.

Nokia Hands

A charming little brand film for Nokia.

Simple hand made models transition from one to the other from 2d to 3d this film has a timeless charming quality which we’ll alway cherish.


Just Add Fuel

Our first car commercial, we animated jigsaw peices on layers of glass to create this spot for Peugeot’s Just Add Fuel™ campaign.

  • green_party_bankers
  • green_party_retirement
  • green_party_jobs
  • green_party_transport
  • green_party_housing

The Green Party Election Broadcast

DuckEye helped to bring about political change!

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On the 7th May 2010 The Green Party won their first seat in Parliment. We created the Party Election Broadcast.


A Great Collaboration and Staff Pick on Vimeo

Collaboration with contempory dance choreographer Alexander Whitley, Atelic recieved 30,000 view on vimeo in it’s first week.

Atelic is motion control test film by DuckEye developed from ‘Iatrogenesis’ created for Rambert Dance Company’s ‘Season of New Choreography’. The film explores the popular technique of overlaying multiple performances of the same routine yet with the twist of using a metal grid structure to delineate between takes. Each scene was shot 3-4 times with a motion control rig to create dynamic sweeping moves past the grid and action beyond it. Although the compositing process was not the quickest the end result was well worth the effort.


  • Zero 7 - Crosses Part 1
  • Zero 7 - Crosses Part 2
  • Zero 7 - Crosses Ending

Zero 7 Crosses

Sit back and be hypnotised!

Our D&AD nominated music video for Zero 7. We created a cell animation of endless rotating Phenakistoscopes which take you on a journey through the evolution of civilisation.

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